![]() An explanation of some technical details and techniques how to work with MetaType1 can be found in the tutorial written by Klaus Höppner, which also includes a simple complete example and Makefile. For illustrations see the examples below. The information about the font and its glyphs is described in the METAPOST source files addi- tional macros are defined in MetaType1 extensions or may be appended by the user. collects all the data into one Type 1 file.runs METAPOST (any available version) to produce eps files with outlines for all glyphs.2 Producing Type 1 with MetaType1 The MetaType1 package, developed by the authors of Latin Modern, TEX Gyre and other font collections (B. In the following sections we will explain the process of creating fonts and illustrate it with numerous examples. Thus, to create the fonts only non-proprietary tools have been employed: MetaType1 FontForge t1utils, gawk other standard Unix utilities such as bash, sed, sort. The fonts are based on a starting point - my simple design of wedges in three variant forms (see also Fig. No scanning of pictures or clay tablets was performed. Thureau-Dangin, and the encyclopedia The World’s Writing Systems. Three books served as principal sources: two Akkadian syllabaries edited by R. The glyph set consisted of several separate Type 1 components to cover Akkadian (according to Labat) in a ‘Neo-Assyrian’ form (three files), Ugaritic, and Old Persian. In my older Type 1 version (1998/9) the raw text was written ‘by hand’ and then directly compiled into Type 1 with t1asm from t1utils. Ten years ago I decided to create Type 1 fonts for cuneiform, and last year, to extend them to Unicode OpenType versions. I am interested in scripts, alphabets, writing systems, and in fonts, their computer representation. We describe cuneiform design and the process of font development. With MetaType1 we generate intermediate Type 1 fonts, and then construct OpenType fonts using FontForge. CZ-182 21 Prague, Czech Republic piska (at) fzu dot cz 1 Introduction Abstract A cuneiform font collection covering Akkadian, Ugaritic and Old Persian glyph subsets (about 600 signs) has been produced in two steps. ![]() ![]() ![]() Note: if you do create fonts, test them on Chrome for Windows! Chrome on Windows uses Windows GDI ClearType which will render a poorly-hinted font badly and is a good litmus test for your font.Creating cuneiform fonts with MetaType1 and FontForge Karel Píška Institute of Physics of the ASCR, v. You'll also have the benefit that you won't need to deal with complex (and inconsistent between platforms) font-rendering technologies. Lastly, have you considered using either embedded SVG or image sprites instead? These seem like simpler options for what you want to achieve. Why add them to an existing font? You could create a new font with just these glyphs in it. What's more, making a font that's compatible with Mac and Windows and hinting it properly is a fine art.ĭo you have the right to modify the font? For Lato, you do, so that's moot in your case. ttf or similar is in itself a complex undertaking. However Fontforge, like other font editors, is complex enough that simply exporting your modified font to. The free and open source way to do it would be with Fontforge. It is possible to add extra characters to fonts, but it isn't something for the faint-hearted. ![]()
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